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  <id>urn:lj:livejournal.com:atom1:taliehelene</id>
  <title> a girl made of truth &amp; wild horses</title>
  <subtitle>© Talie Helene 2008. All Rights Reserved.</subtitle>
  <author>
    <name>Talie Helene</name>
  </author>
  <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/"/>
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  <updated>2008-04-24T13:42:52Z</updated>
  <lj:journal username="taliehelene" type="personal"/>
  <link rel="service.feed" type="application/x.atom+xml" href="http://taliehelene.livejournal.com/data/atom" title=" a girl made of truth &amp; wild horses"/>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:50393</id>
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    <title>Scholarship!</title>
    <published>2008-04-24T12:37:21Z</published>
    <updated>2008-04-24T13:42:52Z</updated>
    <category term="scholarships"/>
    <category term="music education"/>
    <category term="rmit"/>
    <category term="music industry (technical production)"/>
    <content type="html">While I am yet to hear how my applications for the bigger degree pathway scholarships have fared (blogged about in very dodgy terms &lt;a href="http://taliehelene.livejournal.com/48718.html"&gt;here&lt;/a&gt;), I've received a letter from RMIT advising me -- 'Congratulations!'&lt;br /&gt;&lt;br /&gt;My application for a Student Support Scholarship has been successful!&lt;br /&gt;&lt;br /&gt;The University is giving me $1,000.00 toward the expense of materials and general study costs while undertaking the &lt;i&gt;Diploma in Music Industry (Technical Production)&lt;/i&gt;. &lt;br /&gt;&lt;br /&gt;This is great because the debt I've racked up studying so far this year is $1,010.00.&lt;br /&gt;&lt;br /&gt;I actually don't expect to get the bigger scholarships, as I know without re-reading my applications, I hit some wrong notes. The structure of those submissions is a lot more confused. Maybe that has no bearing, but I just don't think it'll go through. &lt;br /&gt;&lt;br /&gt;But "Yay!" for the Student Support Scholarship.&lt;br /&gt;&lt;br /&gt;RMIT. What a contrast to the other place, huh?</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:50097</id>
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    <title>Concise Meme</title>
    <published>2008-04-24T09:08:14Z</published>
    <updated>2008-04-24T11:23:08Z</updated>
    <content type="html">&lt;blockquote&gt;&lt;blockquote&gt;&lt;font color="#999999"&gt;Appropriated from &lt;/font&gt;&lt;font color="#999999"&gt;&lt;span class='ljuser' lj:user='theonebob' style='white-space: nowrap;'&gt;&lt;a href='http://theonebob.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://theonebob.livejournal.com/'&gt;&lt;b&gt;theonebob&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; &lt;/font&gt;&lt;br /&gt;&lt;font color="#999999"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"You.&lt;/span&gt;&lt;/font&gt;&lt;br style="font-style: italic;" /&gt;&lt;font color="#999999" style="font-style: italic;"&gt;Can.&lt;/font&gt;&lt;br style="font-style: italic;" /&gt;&lt;font color="#999999" style="font-style: italic;"&gt;Only.&lt;/font&gt;&lt;br style="font-style: italic;" /&gt;&lt;font color="#999999" style="font-style: italic;"&gt;Type.&lt;/font&gt;&lt;br style="font-style: italic;" /&gt;&lt;font color="#999999" style="font-style: italic;"&gt;One.&lt;/font&gt;&lt;br style="font-style: italic;" /&gt;&lt;font color="#999999" style="font-style: italic;"&gt;Word.&lt;/font&gt;&lt;br style="font-style: italic;" /&gt;&lt;br style="font-style: italic;" /&gt;&lt;font color="#999999"&gt;&lt;span style="font-style: italic;"&gt;Not as easy as you might think. Remember: one word answers."&lt;/span&gt;&lt;br /&gt;-- &lt;span class='ljuser' lj:user='theonebob' style='white-space: nowrap;'&gt;&lt;a href='http://theonebob.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://theonebob.livejournal.com/'&gt;&lt;b&gt;theonebob&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; (he wears a smile - everybody run!)&lt;br /&gt;&lt;/font&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;br /&gt;1. Where is your mobile phone? Charging&lt;br /&gt;2. Your significant other? Young&lt;br /&gt;3. Your hair? Big&lt;br /&gt;4. Your mother? Dramatic&lt;br /&gt;5. Your father? Driven&lt;br /&gt;6. Your favorite thing? Air&lt;br /&gt;7. Your dream last night? Submerged&lt;br /&gt;8. Your favorite drink? No&lt;br /&gt;9. Your dream/goal? Big&lt;br /&gt;10. The room you're in? Cold&lt;br /&gt;11. Your ex? Cunt&lt;br /&gt;12. Your fear? Splat&lt;br /&gt;13. Where do you want to be in 6 years? Rockin!&lt;br /&gt;14. Where were you last night? Bed&lt;br /&gt;15. What you're not? Crazy&lt;br /&gt;16. Muffins? Buttocks&lt;br /&gt;17. One of your wish list items? Monitors&lt;br /&gt;18. Where you grew up? Burbs&lt;br /&gt;19. The last thing you did? Publicity&lt;br /&gt;20. What are you wearing? Black&lt;br /&gt;21. Your TV? Abandoned&lt;br /&gt;22. Your pets? Waggy&lt;br /&gt;23. Your computer? Shiny&lt;br /&gt;24. Your life? Improving&lt;br /&gt;25. Your mood? Determined&lt;br /&gt;26. Missing someone? Young&lt;br /&gt;27. Your car? Damn&lt;br /&gt;28. Something you're not wearing? Codpiece&lt;br /&gt;29. Favorite Store? Book&lt;br /&gt;30. Your summer? Sober&lt;br /&gt;31. Like someone? Young&lt;br /&gt;32. Your favorite color? Black&lt;br /&gt;33. When is the last time you laughed? Yesterday&lt;br /&gt;34. Last time you cried? Forgotten</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:49886</id>
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    <title>Event Management &amp;gt; Publicity Writing</title>
    <published>2008-04-24T08:30:01Z</published>
    <updated>2008-04-24T10:17:50Z</updated>
    <category term="event management"/>
    <category term="rmit"/>
    <category term="music industry (technical production)"/>
    <content type="html">Event Management is one of the (more sensibly named) subjects I'm taking this year at RMIT. In many ways, I could probably teach this class, but it's part of the diploma, so I'm doing my hours as a student must do.&lt;br /&gt;&lt;br /&gt;We're putting on a fairly big gig in June - an album launch for Nicky Bomba and The Drummers Of Katoomba. As a precursor to that, we have two fundraiser events - and I've put my hand up to write the publicity materials, and get the info to the media. (I know a bit about that too.) I've already penned my share of professional Media Releases - but the one for this gig is kinda nice and shiny, so I thought I'd blog it here.&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="snip"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img width="500" alt="" src="http://i270.photobucket.com/albums/jj89/taliehelene/mislib.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; Bad publicity writing is really easy, and good publicity writing is really hard. It's supposed to be accessible, and punchy, not highbrow, yet not moronic. (The above is easily as good as anything I get in my in box as a journalist - a comparison by which I do myself a disservice, given the grammatical backyard abortion that is most metal press releases.)&lt;br /&gt;&lt;br /&gt;One of the difficult things about the above PR is that the gig is one I'd try not to book (if I were working as a venue booker). Putting those styles together makes it hard to promote - the only thing the bands have in common is guitars and difference. I'm sure it'll be a fun night, but it's not an easy thing to plug. It's not &lt;i&gt;about &lt;/i&gt;anything.&lt;br /&gt; &lt;br /&gt; I couldn't resist sneaking in a literary horror reference, and thus it smacks of Lovecraft meets Absolutely Fabulous! Now those are two things that I never imagined I'd lump together... not even in the name of ROCK. Just goes to show, coffee is evil.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:49250</id>
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    <title>Dying Breed</title>
    <published>2008-04-20T09:49:06Z</published>
    <updated>2008-04-20T14:51:06Z</updated>
    <category term="dying breed"/>
    <category term="australian horror"/>
    <content type="html">I just published a Press Release over at &lt;a href="http://www.ozhorrorscope.blogspot.com"&gt;HorrorScope&lt;/a&gt;, regarding a new Australian horror feature film called Dying Breed. Looks quite good over at &lt;a href="http://www.dyingbreed.com.au/"&gt;their website&lt;/a&gt;. Unfortunately the Cast &amp;amp; Crew section doesn't include who scored the film, although the flash website plays a fair whack of it. Lots of synths... which doesn't tell you much. You can't read the credits on the trailer either...&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;lj-embed id="62" /&gt;&lt;/center&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:49140</id>
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    <title>The Young One &amp; The Sincerest Form Of Flattery</title>
    <published>2008-04-19T10:55:21Z</published>
    <updated>2008-04-20T13:56:22Z</updated>
    <category term="guitar"/>
    <category term="the young one"/>
    <content type="html">Some people who read this journal already know this - but I have a boyfriend. His name is Scott, and he plays guitar. He's not bad.&lt;br /&gt;&lt;br /&gt;A guy in France has had a crack at working out some of Scott's guitar parts for the big single (bit of a misnomer, given it's metal) from the Alarum album Eventuality. The guy used it as a kind of online audition for another band in Australia (not Alarum), and posted the clip on YouTube. Well Scott had heard about it, but not seen it - so today (after he'd kindly&amp;nbsp; taken me to Officeworks to get printer cartridges), we sat down and looked up the clip.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;lj-embed id="60" /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;It's interesting because he's not actually playing Scott's part, and he's not playing Mark Evans' part either - he's concocted a mish-mash of the two from listening to the song. It's understandable, since they tend to very much trade lead roles throughout the album. Some of what the guy is playing, is completely not from the song Velocity, he's just fluffed a part together out of thin air. And the solo - which is Scott's solo - the guy has made position choices that make it an extremely difficult solo. I wonder if that is ego? It's not how Scott wrote it or plays it, as he's actually not an especially tech-focused player (despite having done the tech metal thing). The guys right hand technique actually looks a bit like Evans picking.&lt;br /&gt;&lt;br /&gt;Anyway, it is an interesting piece of imitation.&lt;br /&gt; &lt;br /&gt;If you're interested in checking out the original song, this is the shiny video clip by director Jimmy Icon - who is also the creative powerhouse behind BeatTV, and plays drums in Bowelmouth. (It's all about the poo.)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;lj-embed id="64" /&gt;&lt;lj-embed id="61" /&gt; &lt;/center&gt;&lt;br /&gt;Like I said, my boyfriend, he's not bad. Unfortunately, he doesn't really possess chameleon powers of camoflage. Or fortunately.&amp;nbsp;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:48718</id>
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    <title>Wish me luck.</title>
    <published>2008-04-18T09:35:07Z</published>
    <updated>2008-04-19T11:28:36Z</updated>
    <category term="unichversity"/>
    <category term="unichs"/>
    <category term="scholarships"/>
    <content type="html">Today I applied for two scholarships to go to unichversity. &lt;br /&gt;&lt;br /&gt;I am applications #1953 and #1954. Rock'n'Roll.&lt;br /&gt;&lt;br /&gt;So there are at least 1952 other wannabe unichs in line.&lt;br /&gt;&lt;br /&gt;My applications were strong - &lt;br /&gt;&lt;br /&gt;good grades&lt;br /&gt;leadership roles&lt;br /&gt;community activities&lt;br /&gt;rah rah rah...&lt;br /&gt;&lt;br /&gt;But I have no sense of expectation. &lt;br /&gt;&lt;br /&gt;1952 is a lot of unichs.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:48561</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/48561.html"/>
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    <title>My Slogan Should Be...</title>
    <published>2008-04-17T23:34:33Z</published>
    <updated>2008-04-18T01:38:55Z</updated>
    <category term="internet bullshit"/>
    <content type="html">&lt;table width="350" align="center" border="0" cellspacing="0" cellpadding="2"&gt;&lt;tr&gt;&lt;td bgcolor="#EEEEEE" align="center"&gt;&lt;br /&gt;&lt;font face="Georgia, Times New Roman, Times, serif" style="color:black; font-size: 14pt;"&gt;&lt;br /&gt;&lt;strong&gt;Your Slogan Should Be&lt;/strong&gt;&lt;br /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td bgcolor="#FFFFFF"&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.blogthingsimages.com/theslogangenerator/slogan.jpg" height="100" width="100"&gt;&lt;/center&gt;&lt;br /&gt;&lt;font color="#000000"&gt;&lt;br /&gt;Talie. Not for Everyone.&lt;br /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;a href="http://www.blogthings.com/theslogangenerator/"&gt;The Slogan Generator&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br&gt;&lt;br /&gt;&lt;br&gt;&lt;br /&gt;Thank fuck, not everyone.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:44997</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/44997.html"/>
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    <title>MassAppeal - Nobody Likes A Thinker</title>
    <published>2008-04-16T07:55:24Z</published>
    <updated>2008-04-17T08:38:54Z</updated>
    <category term="australian punk"/>
    <category term="massappeal"/>
    <category term="nobody likes a thinker"/>
    <category term="ben brown"/>
    <content type="html">&lt;div class="flickr-frame"&gt;&lt;p class="flickr-yourcomment"&gt;	Inspired by...&lt;/p&gt;&lt;span class='ljuser' lj:user='andrewmacrae' style='white-space: nowrap;'&gt;&lt;a href='http://andrewmacrae.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://andrewmacrae.livejournal.com/'&gt;&lt;b&gt;andrewmacrae&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; 's post featuring cool hand-drawn oldschool &lt;a href="http://andrewmacrae.livejournal.com/123157.html?view=558613&amp;amp;style=mine#t558613"&gt;punk art&lt;/a&gt;. The angsty guy with the pills on the side-table in the &lt;i&gt;Cut Sick&lt;/i&gt; fold-out reminded me of this old &lt;i&gt;MassAppeal&lt;/i&gt; t-shirt - although it's not as &lt;b&gt;&lt;i&gt;IN YOUR FACE!&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;   &lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;a href="http://www.flickr.com/photos/taliehelene/2417619579/" title="photo sharing"&gt;&lt;img src="http://farm3.static.flickr.com/2241/2417619579_0935358d74.jpg" class="flickr-photo" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;	&lt;div align="center"&gt;&lt;span class="flickr-caption"&gt;&lt;a href="http://www.flickr.com/photos/taliehelene/2417619579/"&gt;Mass Appeal - Nobody Likes A Thinker&lt;/a&gt;, originally uploaded by &lt;a href="http://www.flickr.com/people/taliehelene/"&gt;Talie Helene&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Illustration by &lt;a href="http://www.benbrown.com.au/"&gt;Ben Brown&lt;/a&gt;.&amp;nbsp; It's in good condition, because like my metal shirts, they get handwashed to stop the print crazing and crackling and loosing that odd rubber smell. (Not very punk of me, I know.)&lt;br /&gt;&lt;br /&gt; This is my fave punk t-shirt - actually, it is my only punk t-shirt. Why would I want or need another?&lt;br /&gt;&lt;br /&gt;O, by the way MassAppeal have reformed, and have re-releases out or coming out on Chatterbox locally and &lt;a href="http://shop.relapse.com/artist/artist.aspx?ArtistID=10184"&gt;Relapse&lt;/a&gt; internationally. They have a &lt;a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;amp;friendID=69431408"&gt;MySpace&lt;/a&gt; like every other band in the world, only cooler.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:44493</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/44493.html"/>
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    <title>Talie Takes A Crack At The Song Meme.</title>
    <published>2008-04-16T03:59:04Z</published>
    <updated>2008-04-16T05:16:20Z</updated>
    <category term="the song meme"/>
    <content type="html">Ages ago - eons ago -&amp;nbsp;&lt;span class='ljuser' lj:user='morgan303' style='white-space: nowrap;'&gt;&lt;a href='http://morgan303.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://morgan303.livejournal.com/'&gt;&lt;b&gt;morgan303&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&amp;nbsp;posted &lt;b&gt;The Song Meme. &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;About the song that plays for that scene - you know, &lt;i&gt;that scene&lt;/i&gt; - &lt;br /&gt;that streetscape walk on a windy day &lt;br /&gt;some perfect day &lt;br /&gt;or that heavy day &lt;br /&gt;that crystalline day &lt;br /&gt;in the movie of your life.&lt;br /&gt;&lt;br /&gt;And because I'm an introspective arsehole (nice image), I've been thinking about it for ages, eons... &lt;br /&gt;&lt;br /&gt;This was the deal:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;So, now it's your turn. What's &lt;b&gt;your&lt;/b&gt; theme song, for that scene? It doesn't have to be your favourite song, or even the song that sums you up (because honestly, who has one of those?), but it's the song that plays while the camera pans alongside you as you saunter or stalk or swish. Why? And optional: what are you wearing? For extra points, give us some sort of Youtube link because I don't know shite about modern music and may never have heard of whatever it is you choose.:) &lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class='ljuser' lj:user='morgan303' style='white-space: nowrap;'&gt;&lt;a href='http://morgan303.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://morgan303.livejournal.com/'&gt;&lt;b&gt;morgan303&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/blockquote&gt;&lt;br /&gt;The song that gets to put a filmscore composer out of work&amp;nbsp; while I go just a-walking down the street?&lt;br /&gt;&lt;br /&gt;I'm going with this...&lt;br /&gt;&lt;br /&gt;  &lt;lj-embed id="59" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; Why? Once a Doom Princess, always a Doom Princess, I suppose. I don't think I'll ever 100% get away from that moribund romantic metal (although I'm not a conservative or exclusive metalhead, and neither am I a softcore one - my record collection would make those big tattooed oafs out there CRY, it is stocked with classics). I'm a sucker for the sad stuff, but I'm also a sucker for the cheeseball heroic stuff. And don't you just know I try to live like that, in those moments of black burst dashes toward brilliance. Between the grey heartbeats, and the silence, and the terrible knowing.&lt;br /&gt;&lt;br /&gt;And more personally, as an artist/as a person (these are not separate things) I'm going through a process where &lt;i&gt;somewhere in the hurricane hope is waiting&lt;/i&gt; - it isn't hopeless, but there's still a cold and burning road, and such wreckage to negotiate. &lt;br /&gt;&lt;br /&gt;What am I wearing? Fuck. I have an insanely large wardrobe of fucking gorgeous outfits, and I rarely wear anything but low-key boring shit because I'm always rushing from one thing to the next. Perhaps something I'll balance one day. I'd like to trot out some more fun clothes, coz hey this is life... and I really ought to get more fashion conscious, because, fuck, it's a long song.&lt;br /&gt;&lt;br /&gt;Did I even mention I don't have the shoes to go with the outfits, I'm often between shoes and limping with blisters, because shoes cannot be thrift-shopped if you have to wear two pairs of explorer socks over your stockings in a ladies size 5. (That's a UK size 36.) Out with mass production and bring back the cobblers, I say.&lt;br /&gt;&lt;br /&gt;And thus ends &lt;b&gt;Talie Takes A Crack At The Song Meme.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Your turn...&lt;/i&gt;&lt;/b&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:43840</id>
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    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=43840"/>
    <title>Writers Block - Cured!</title>
    <published>2008-04-16T01:26:38Z</published>
    <updated>2008-04-18T01:41:28Z</updated>
    <category term="internet bullshit"/>
    <content type="html">&lt;form method="post" action="http://memes.angrygoats.net/post/haiku"&gt;&lt;table border="0" bgcolor="#ddddff" align="center" style="border: 1px solid black;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;th&gt;&lt;a href="http://memes.angrygoats.net/"&gt;Haiku&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt; for taliehelene&lt;/th&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;blockquote style="border-right: 1px solid rgb(187, 187, 221); padding: 5px; text-align: right;" align="right"&gt; doo pa doo pa doo&lt;br /&gt;pa doo pa doo pa doo pa&lt;br /&gt;bap ba bap pa ba&lt;/blockquote&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td align="center"&gt;&lt;input type="text" value="taliehelene" name="haiku_username" size="8" /&gt; @ &lt;select name="haiku_server"&gt;&lt;option value="aboutmylife.net"&gt;aboutmylife.net&lt;/option&gt;&lt;option value="advogato.org"&gt;advogato.org&lt;/option&gt;&lt;option value="blogger.com"&gt;blogger.com&lt;/option&gt;&lt;option value="blogs.gnome.org"&gt;blogs.gnome.org&lt;/option&gt;&lt;option value="blogspot.com"&gt;blogspot.com&lt;/option&gt;&lt;option value="deadjournal.com"&gt;deadjournal.com&lt;/option&gt;&lt;option value="greatestjournal.com"&gt;greatestjournal.com&lt;/option&gt;&lt;option value="insanejournal.com"&gt;insanejournal.com&lt;/option&gt;&lt;option selected="" value="livejournal.com"&gt;livejournal.com&lt;/option&gt;&lt;option value="myspace.com"&gt;myspace.com&lt;/option&gt;&lt;option value="spaces.msn.com"&gt;spaces.msn.com&lt;/option&gt;&lt;/select&gt;&lt;input type="hidden" name="haiku_referrer" value="taliehelene@livejournal.com" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td align="center"&gt;&lt;input type="submit" value="What&amp;#39;s my Haiku?" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td bgcolor="#bbbbdd" align="center"&gt;&lt;small&gt;&lt;a href="http://grahame.livejournal.com/"&gt;Created by Grahame&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/form&gt;&lt;br /&gt;&lt;br /&gt;And I thought I was filling this journal up with self-censored bullshit...</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:43619</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/43619.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=43619"/>
    <title>AHWA News Updates [ 17.03.08 to 15.04.08 ]</title>
    <published>2008-04-15T10:02:04Z</published>
    <updated>2008-04-15T10:14:10Z</updated>
    <category term="editing"/>
    <category term="ahwa"/>
    <category term="australian horror"/>
    <category term="horrorscope"/>
    <category term="ahwa news editing"/>
    <content type="html">The following digest of recent horror news is compiled from pieces published to &lt;a href="http://ozhorrorscope.blogspot.com/"&gt;&lt;font color="#c00000"&gt;HorrorScope&lt;/font&gt;&lt;/a&gt; and the &lt;span style="font-style: italic;"&gt;Australian Horror Writers' Association&lt;/span&gt; &lt;a href="http://www.australianhorror.com"&gt;website&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Click through to horror news!"&gt;  &lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-last-week-for-ditmar-awards-voting.html"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;font size="3"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-infinitas-newsletter-april-2008.html" style="font-weight: bold;"&gt;Infinitas Newsletter April 2008&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;The &lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-style: italic;"&gt;Infinitas Newsletter&lt;/span&gt; - published by &lt;span style="font-style: italic;"&gt;Infinitas Bookshop&lt;/span&gt; - is now available for April 2008 at&lt;/span&gt;&lt;a rel="nofollow" class="moz-txt-link-abbreviated" target="_blank" href="http://www.infinitas.com.au/"&gt; www.infinitas.com.au&lt;/a&gt;&lt;span style="font-family: arial;"&gt;. This months edition features the first installment of a serialised science fiction story by Steven Cavanagh, in addition to book reviews and publishing news.&lt;br /&gt;&lt;/span&gt; &lt;h3 class="post-title"&gt;&lt;br /&gt; &lt;/h3&gt; &lt;h3 class="post-title"&gt;&lt;font size="3"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-april-australian-spec-fic-carnival.html"&gt;April Australian Spec Fic Carnival&lt;/a&gt;&lt;/font&gt;&lt;/h3&gt; The &lt;span style="font-style: italic;"&gt;Australian Spec Fic Carnival&lt;/span&gt; for April is being hosted by &lt;a href="http://www.eneitpress.com/"&gt;Eneit Press&lt;/a&gt; at their &lt;a href="http://eneit.livejournal.com/200854.html"&gt;Livejournal&lt;/a&gt;. It features the usual eclectic speculative fiction related news from across the blogsphere.&lt;br /&gt; &lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-nextgcitysearch-horror-ad-campaign.html"&gt;NextG/Citysearch Horror Ad Campaign&lt;/a&gt;&lt;/h3&gt;...turning up all over Australian urban centres - in postcard, poster, and print advertisement form - to promote a mobile phone service connecting to the Citysearch cinema program. Ostensibly representing the horror flick as both something to &lt;span style="font-style: italic;"&gt;avoid&lt;/span&gt;, with a subtext suggesting it is something to &lt;span style="font-style: italic;"&gt;seek out&lt;/span&gt;, it's an interesting representation of the genre audience in mainstream media.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-trasharama-go-go-2008-open-for.html"&gt;Trasharama A-go-go 2008 open for submissions&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.trasharama.com.au/"&gt;Trasharama A-go-go 2008&lt;/a&gt; are now stalking short films for this years fest/comp. Seeking your horror, sci-fi, bad taste comedies, dodgymentaries and anything else you would consider low-brow entertainment.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-beauty-dynamite-by-alethea-kontis.html"&gt;Beauty &amp;amp; Dynamite by Alethea Kontis&lt;/a&gt;&lt;/h3&gt;&lt;span style="font-style: italic;"&gt;Beauty and Dynamite&lt;/span&gt; collects several of Kontis's essays and other writings in &lt;a href="http://www.apexbookcompany.com/"&gt;Apex Publications&lt;/a&gt;' first book-length nonfiction release.  &lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-black-in-fashion-mourning-to-night.html"&gt;Black in Fashion - Mourning to Night&lt;/a&gt;&lt;/h3&gt;As part of the &lt;a href="http://www.ngv.vic.gov.au/blackinfashion/"&gt;Black in Fashion: Mourning to Night &lt;/a&gt; exhibition at the National Gallery of Victoria, there will be a special seminar featuring NGV curators delivering in-depth discussion of the historic and contemporary significance and diversity of black in fashion.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-dark-wisdom-magazine-format-change.html"&gt;Dark Wisdom magazine format change&lt;/a&gt;&lt;/h3&gt;Effective April 2008, &lt;a href="http://www.darkwisdom.com./"&gt;Dark Wisdom magazine&lt;/a&gt; is being reorganized, and the quarterly print publication will be discontinued. Starting in 2009, Dark Wisdom will be released as an annual anthology. In addition, the Dark Wisdom website will be restructured, launching in late 2008 as an online magazine.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-sydney-writers-festival.html"&gt;Sydney Writers' Festival&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.swf.org.au/"&gt;The 11th Sydney Writers' Festival&lt;/a&gt; will be held from &lt;b&gt;Monday 19 to Sunday 25 May&lt;/b&gt;, at venues throughout Sydney, Australia.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-michael-bursteins-tuckerization.html"&gt;Michael A. Burstein's Tuckerization Raffle&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.apexbookcompany.com/"&gt;Apex Publications&lt;/a&gt; and award-winning writer &lt;a href="http://www.mabfan.com/"&gt;Michael A. Burstein&lt;/a&gt; are pleased to announce that Apex Books is now ready to take pre-orders for &lt;span style="font-style: italic;"&gt;I Remember the Future: The Award-Nominated Stories of Michael A. Burstein&lt;/span&gt;, which will be published in September.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-australian-shadows-award-now-open.html"&gt;Australian Shadows Award now open&lt;/a&gt;&lt;/h3&gt;The &lt;a href="http://www.australianhorror.com/index.php?view=39"&gt;Australian Shadows Award&lt;/a&gt; for 2008 is now open for submissions. The Australian Shadows is an annual award presented by the &lt;a href="http://www.australianhorror.com/"&gt;Australian Horror Writers Association&lt;/a&gt; (AHWA) and judged on the overall effect - the skill, delivery, and lasting resonance - of a work of horror fiction written or edited by an Australian and published either in Australia or overseas.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-brimstone-press-publishing-survey.html"&gt;Brimstone Press publishing survey&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.brimstonepress.com.au/"&gt;Brimstone Press&lt;/a&gt; is conducting a survey of Australian dark fiction publishing and reading habits. The survey is open from now until &lt;b&gt;April 30&lt;/b&gt; and &lt;a href="http://www.esurveyspro.com/Survey.aspx?id=9618fa1c-1782-4b8e-b37b-ff463570f7c3"&gt;can be found here&lt;/a&gt;. All HorrorScope readers are encouraged to participate, and some great prizes are on offer!&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/editorial-horrorscope-reaches-100000.html"&gt;HorrorScope reaches 100,000 readers!&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://ozhorrorscope.blogspot.com/"&gt;HorrorScope&lt;/a&gt; has achieved a number of significant milestones since its founding by &lt;a href="http://www.brimstonepress.com.au/"&gt;Brimstone Press&lt;/a&gt; in 2005. The latest (and greatest) milestone to date is reaching 100,000 readers.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-kain-massin-wins-2008-abc-fiction.html"&gt;Kain Massin wins 2008 ABC Fiction Award&lt;/a&gt;&lt;/h3&gt;The winner of this year’s ABC Fiction Award is Adelaide-based high school teacher and speculative fiction writer &lt;b&gt;Kain Massin&lt;/b&gt;. Kain is a member of the Blackwood Writers group and was co-editor of the 2006 anthology &lt;i&gt;Tales from the Black Wood&lt;/i&gt; (Altair Australia Books). Kain will receive a $10,000 prize and publication with ABC Books.&lt;br /&gt;&lt;h3 class="post-title"&gt;&amp;nbsp;&lt;/h3&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-dowling-wins-australian-shadows.html"&gt;Dowling wins Australian Shadows Award&lt;/a&gt;&lt;/h3&gt;Sydney-based author &lt;b&gt;&lt;a href="http://www.terrydowling.com/"&gt;Terry Dowling&lt;/a&gt;&lt;/b&gt; has won Australia’s top horror fiction award, the &lt;b&gt;2007 Australian Shadows Award&lt;/b&gt;, for his short story “Toother” (published in the anthology &lt;i&gt;Eclipse 1&lt;/i&gt;, edited by Jonathan Strahan, Night Shade Books).&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/04/dymocks-southland-bestselling-horror.html"&gt;Dymocks Southland Bestselling Horror Titles for March ‘08&lt;/a&gt;&lt;/h3&gt;&lt;b&gt;Dymocks Southland&lt;/b&gt; is a general bookshop in Cheltenham, Victoria, boasting a fairly extensive range of genre stock. Visit the link for the top 10 bestselling horror titles for March 2008. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dymocks Southland&lt;/b&gt; also publishes a monthly genre newsletter, &lt;b&gt;Dymensions&lt;/b&gt;, which you can access online by joining the associated Yahoogroup at:&lt;a href="http://groups.yahoo.com/group/dymensions_newsletter"&gt; http://groups.yahoo.com/group/dymensions_newsletter&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-fantastic-planet-bestsellers-march.html"&gt;Fantastic Planet Bestsellers March 2008&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.fantasticplanet.com.au/"&gt;Fantastic Planet&lt;/a&gt; regularly announce Bestsellers, new arrivals and events via their &lt;a href="http://planetfantastic.livejournal.com/"&gt;Livejournal&lt;/a&gt;. Visit the link for recent Bestsellers list for March 2008 shows the following top sales.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-21st-annual-bram-stoker-awards.html"&gt;The 21st annual Bram Stoker Awards ceremony available for viewing at Ustream.TV&lt;/a&gt;&lt;/h3&gt;The &lt;a href="http://www.horror.org/"&gt;Horror Writers Association&lt;/a&gt; (HWA), &lt;a href="http://www.worldhorrorconvention.com/"&gt;World Horror Convention&lt;/a&gt;, and &lt;a href="http://www.iscifi.tv/live"&gt;iSCIFI.tv&lt;/a&gt; broadcasted the 2007 Bram Stoker Awards ceremony live on the Internet on Saturday, March 29, 2008. This was the first time that the Stokers have been broadcast as they happen. iSCIFI.tv have made an archive of the podcast available in a series of streaming files at &lt;a href="http://www.ustream.tv/iscifitv"&gt;their profile&lt;/a&gt; at Ustream.tv&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-showing-at-screen-sect-in-april.html"&gt;Showing at Screen Sect in April 2008&lt;/a&gt;&lt;/h3&gt;This April &lt;a href="http://www.network54.com/Index/51740"&gt;SCREEN SECT&lt;/a&gt; present a variety of cult and classic cinema, including &lt;span style="font-style: italic;"&gt;Martin&lt;/span&gt; - a little-known gem from zombie-king George A. Romero, who here tackles vampire mythology in a contemporary, desolate urban setting, through the eyes of a disturbed young man who may or may not be the genuine, bloodsucking article.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-bram-stoker-awards-2008-winners.html"&gt;The Bram Stoker Awards 2008 Winners!&lt;/a&gt;&lt;/h3&gt;The &lt;a href="http://www.horror.org/"&gt;Horror Writers' Association&lt;/a&gt; has announced the winners for the &lt;a href="http://www.horror.org/stokers.htm"&gt;Bram Stoker Awards&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-sir-julius-vogel-awards-2008.html"&gt;The Sir Julius Vogel Awards 2008 Winners!&lt;/a&gt;&lt;/h3&gt;The &lt;a href="http://sffanz.sf.org.nz/"&gt;&lt;span style="font-style: italic;"&gt;Science Fiction and Fantasy Association of New Zealand&lt;/span&gt;&lt;/a&gt; is pleased to announce the winners of this year’s &lt;span style="font-style: italic;"&gt;Sir Julius Vogel Awards&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-night-of-horror-film-festival.html"&gt;A Night of Horror Film Festival&lt;/a&gt;&lt;/h3&gt;A Night of Horror International Film Festival brings the world's best and bloodiest genre cinema to Sydney.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-popular-fiction-report-at-writers.html"&gt;Popular Fiction Report at Writer's Digest&lt;/a&gt;&lt;/h3&gt;Michael J. Vaughn has published a feature deliving into "what's hot in Mystery/Crime, Romance, &lt;span style="font-weight: bold;"&gt;Horror&lt;/span&gt;, Thriller/Suspense and Science Fiction/Fantasy?" This comprehensive genre-by-genre market report is available &lt;a href="http://writersdigest.com/article/The_Popular_Fiction_Report"&gt;online&lt;/a&gt; in the April issue of &lt;i&gt;Writer's Digest&lt;/i&gt;, with definition breakdowns of sub-genres and essays from four bestselling-genre authors; Ramsey Campbell represents the darkside with his recent essay &lt;a href="http://writersdigest.com/article/Why_I_Write_Horror/"&gt;&lt;span style="font-style: italic;"&gt;Why I Write Horror&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-doctor-infierno-australian.html"&gt;Doctor Infierno Australian Premiere&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.anightofhorror.com/"&gt;A Night of Horror International Film Festival&lt;/a&gt; present the Australian Premiere of &lt;span style="font-style: italic;"&gt;Doctor Infierno,&lt;/span&gt; directed by Paco Limon (Spain, 2007).&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-robert-dunbars-pines.html"&gt;Robert Dunbar's The Pines&lt;/a&gt;&lt;/h3&gt;In the fall of 2008, &lt;span style="font-style: italic;"&gt;Leisure Books&lt;/span&gt; will again release &lt;span style="font-style: italic;"&gt;The Pines&lt;/span&gt;.  This will be the uncut version, never before published in paperback.  At the same time, &lt;span style="font-style: italic;"&gt;Delirium Books&lt;/span&gt; will release &lt;span style="font-style: italic;"&gt;Martyrs &amp;amp; Monsters&lt;/span&gt;, a collection of Dunbar's short fiction, with an introduction by Greg F. Gifune. The collection will be published both as a limited edition hard back, and as a mass market paperback. The following spring, &lt;span style="font-style: italic;"&gt;Leisure&lt;/span&gt; will release &lt;span style="font-style: italic;"&gt;The Shore&lt;/span&gt; in its first paperback edition.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-australia-in-2010-bid-for-2010.html"&gt;Australia in 2010 - a bid for the 2010 Worldcon&lt;/a&gt;&lt;/h3&gt;Australia has hosted the &lt;a href="http://www.worldcon.org/" target="_blank" rel="nofollow"&gt;Worldcon&lt;/a&gt; - world science fiction convention - in 1975, 1985, and 1999 - now a dedicated Australian bid committee are hoping to do it again in 2010! For more details, visit the newly revamped website &lt;a href="http://www.australia2010.org/"&gt;www.australia2010.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-la-antena-aerial-australian.html"&gt;La Antena (The Aerial) Australian Premiere&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.anightofhorror.com/"&gt;A Night of Horror International Film Festival&lt;/a&gt;  presents the Australian Premiere of &lt;span style="font-style: italic;"&gt;La Antena&lt;/span&gt; (The Aerial) directed by Estaban Sapir (Argentina, 2007 ).&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-orgy-of-souls-by-wrath-james-white.html"&gt;Orgy of Souls by Wrath James White and Maurice Broaddus&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.apexbookcompany.com/" target="_blank" rel="nofollow"&gt;Apex Publications&lt;/a&gt; announces the upcoming release of&lt;i style=""&gt; &lt;span style="font-style: italic;"&gt;Orgy of Souls&lt;/span&gt;, &lt;/i&gt;a new novella by Maurice Broaddus and Wrath James White, on June 14, 2008.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-australian-premiere-of-chair.html"&gt;Australian Premiere of The Chair&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.anightofhorror.com/"&gt;A Night of Horror International Film Festival&lt;/a&gt; presents a terrifying supernatural thriller from acclaimed director Brett Sullivan, the Australian Premiere of &lt;span style="font-style: italic;"&gt;The Chair&lt;/span&gt; (Canada, 2008).&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-antipodeansf-118.html"&gt;AntipodeanSF #118&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.antisf.com/"&gt;AntipodeanSF #118&lt;/a&gt; is available for your perusal and enjoyment on the web.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-how-to-make-award-winning-short.html"&gt;How to Make an Award Winning Short Horror Film&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.anightofhorror.com/"&gt;A Night of Horror International Film Festival&lt;/a&gt; presents &lt;span style="font-style: italic;"&gt;How to Make an Award Winning Short Horror Film&lt;/span&gt; - exploring the craft and logistics of creating a low-budget horror masterpiece.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-christine-croydens-painted-portal.html"&gt;Christine Croyden’s The Painted Portal&lt;/a&gt;&lt;/h3&gt;Melbourne playwright and author, &lt;span style="font-weight: bold;"&gt;Christine Croyden&lt;/span&gt; is set to publish a wonderful tale that blends historical events with young adult and supernatural fantasy. Part coming-of-age story, part ghost story, the haunting images and vivid writing will stay with readers long after the adventure ends.&lt;span style="font-style: italic;"&gt; The Painted Portal&lt;/span&gt; is Christine Croyden’s first major publication and is due for release by &lt;a href="http://www.equilibriumbooks.com/"&gt;Equilibrium Books&lt;/a&gt; in May 2008.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-2008-ditmar-and-tin-duck-winners.html"&gt;2008 Ditmar and Tin Duck Winners&lt;/a&gt;&lt;/h3&gt;The winners for the 2008 Ditmar and Tin Duck Awards were announced Sunday Match 23 at &lt;a href="http://www.swancon.com/"&gt;Swancon&lt;/a&gt;, the 2008 national SF convention.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-night-of-horror-zombie-lurch.html"&gt;A Night of Horror Zombie Lurch&lt;/a&gt;&lt;/h3&gt;Shamblingly presented by &lt;a href="http://www.anightofhorror.com/"&gt;A Night Of Horror International Film Festival&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-brent-haywards-filaria.html"&gt;Brent Hayward's Filaria&lt;/a&gt;&lt;/h3&gt;The first title from &lt;a href="http://chizinepub.com/" target="_blank" rel="nofollow"&gt;ChiZine Publications&lt;/a&gt; - Brent Hayward's &lt;span style="font-style: italic;"&gt;Filaria&lt;/span&gt; - is selling really fast! Collectors may wish to scurry over, and &lt;a href="http://www.horror-mall.com/FILARIA-by-Brent-Hayward-p-17732.html"&gt;snag one up&lt;/a&gt; before it's too late!&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-night-of-horror-2008-opening-night.html"&gt;A Night of Horror 2008 - Opening Night!&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://www.anightofhorror.com/"&gt;A Night of Horror International Film Festival&lt;/a&gt; kicked off with the Australian Premier of retro zombie feature &lt;a href="http://www.flickthemovie.com/"&gt;&lt;span style="font-style: italic;"&gt;Flick&lt;/span&gt;&lt;/a&gt; (directed by David Howard, UK) - followed by the &lt;span style="font-style: italic;"&gt;Opening Night Party: Undead Rockabilly Dance!&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-kryptographik-22.html"&gt;Kryptographik #22&lt;/a&gt;&lt;/h3&gt;&lt;span style="font-style: italic;"&gt;Kryptographik&lt;/span&gt; is a trans-continental podcast featuring Brian (in the U.S.) and Damian (in Australia), providing news, reviews, and commentary regarding science-fiction, dark fantasy and horror, in and out of comics.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-digital-retribution-seek.html"&gt;Digital Retribution seek reciprocal links&lt;/a&gt;&lt;/h3&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt;&lt;span style="font-family: times new roman;"&gt;The Digital Retribition team have issued a linking invitation to horror and cult movie related websites.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-australian-nightmares.html"&gt;Australian Nightmares&lt;/a&gt;&lt;/h3&gt;Following on from the critically acclaimed &lt;span style="font-style: italic;"&gt;Australian Gothic: An Anthology of Australian Supernatural Fiction&lt;/span&gt; (2007), Equilibrium Books is proud to announce the forthcoming release of &lt;a href="http://www.equilibriumbooks.com/australian_nightmares.htm"&gt;&lt;span style="font-style: italic;"&gt;Australian Nightmares: More Australian Tales of Terror and The Supernatural&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-workers-paradise2012-launch.html"&gt;The Workers' Paradise/2012 Launch&lt;/a&gt;&lt;/h3&gt;&lt;p&gt;Two ground breaking anthologies from two of Western Australia's most exciting publishers!&lt;br /&gt;&lt;/p&gt;&lt;ul style="text-align: left;"&gt;&lt;li&gt;&lt;a href="http://www.ticonderogapublications.com/catalog/product_info.php?products_id=48"&gt;2012&lt;/a&gt; edited by Alisa Krasnostein and Ben Payne. &lt;/li&gt;&lt;li&gt;&lt;a href="http://www.ticonderogapublications.com/catalog/product_info.php?products_id=34"&gt;The Workers' Paradise&lt;/a&gt; edited by Russell B. Farr and Nick Evans.&lt;/li&gt;&lt;/ul&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-brokensea-audio-productions-seeks.html"&gt;BrokenSea Audio Productions seeks Halloween content&lt;/a&gt;&lt;/h3&gt;&lt;a href="http://brokensea.com/"&gt;BrokenSea Audio Productions&lt;/a&gt; is seeking short works for their Halloween 2008 series; audio in the public domain and original works.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt;&lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-aurealis-awards-seeking-judges-for.html"&gt;Aurealis Awards seeking judges for 2008&lt;/a&gt;&lt;/h3&gt;Expressions of Interest are now invited from those wishing to act as a judge for the 2008 Aurealis Awards. The application form is available for download at the &lt;a href="http://www.aurealisawards.com/Judges.htm" target="_blank" rel="nofollow"&gt;Aurealis Awards website.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.theauthor.biz/"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;p&gt;&lt;font color="#c00000"&gt;Submitting News&lt;/font&gt;&lt;br /&gt;&lt;/p&gt;If you have news about Australian and New Zealand Horror publishing and film, or news of professional development opportunities in the field, feel free to submit news to &lt;a href="http://www.myspace.com/taliehelene/"&gt;Talie Helene&lt;/a&gt;, AHWA News Editor. Just visit &lt;a href="http://ozhorrorscope.blogspot.com/"&gt;&lt;u&gt;HorrorScope&lt;/u&gt;&lt;/a&gt;, and click on the convenient email link. (International news is not unwelcome.)&lt;br /&gt;&lt;br /&gt;For information on the &lt;span style="font-style: italic;"&gt;Australian Horror Writers' Association&lt;/span&gt;, visit &lt;a href="http://www.australianhorror.com/"&gt;australianhorror.com&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;i&gt;This digest has been compiled, written, and republished in select Australian Horror Haunts by Talie Helene.&lt;/i&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:42445</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/42445.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=42445"/>
    <title>AMC e-forum on composition</title>
    <published>2008-04-14T07:16:48Z</published>
    <updated>2008-04-14T07:22:50Z</updated>
    <category term="e-forum"/>
    <category term="australian music centre"/>
    <category term="composition"/>
    <content type="html">The Australian Music Centre is hosting an e-forum tonight at Resonate Magazine online as part of the 2008 Aurora Festival's Music of the Spirit event. &lt;a href="http://www.resonatemagazine.com.au/" target="_blank" rel="nofollow"&gt;http://www.resonatemagazine.com.au&lt;/a&gt;.&lt;br /&gt;&lt;div class="profile_status" style="display: block;"&gt;&lt;small&gt;&lt;span&gt;&lt;/span&gt;&lt;/small&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:42180</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/42180.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=42180"/>
    <title>INTERNATIONAL RECORD STORE DAY!</title>
    <published>2008-04-14T07:01:32Z</published>
    <updated>2008-04-14T07:03:56Z</updated>
    <category term="international record store day"/>
    <category term="stop downloading you bastards?"/>
    <content type="html">&lt;blockquote&gt;&lt;i&gt;On Saturday 19th April, The Basement Discs, Missing Link, Collectors Corner, The Last Record Store &amp;amp; Greville Records all plan to celebrate &amp;amp; join in the fun of &lt;b&gt;International Record Store Day&lt;/b&gt;, where hundreds of independently owned &amp;amp; operated music stores around the world will celebrate the culture and unique place that they occupy in their community.&lt;br /&gt;&lt;br /&gt;Basement Discs will be raising the roof all day!&amp;nbsp; From 12.00 midday, there will be a 'Round Robin' in-store performance, featuring LISA MILLER, CHRIS WILSON, JEFF LANG, ABBIE CARDWELL, CHARLES JENKINS, MIKE RUDD &amp;amp; BILL PUTT (Spectrum), &amp;amp; LIZ STRINGER, performing a couple of songs each &amp;amp; running through till around 2.00.&lt;br /&gt;&lt;br /&gt;There will be a music themed Q &amp;amp; A quiz with prizes for correct answers&amp;nbsp; (packs of CD's, posters, t-shirts, bottles of bubbly, a six pack or 2, vouchers, free passes etcetera).&amp;nbsp; Hell, we may even give away some prizes for incorrect answers, if they're funny enough!!&lt;br /&gt;&lt;br /&gt;And a set flat-rate discount across the board on everything in the store for that day only.&lt;br /&gt;&lt;br /&gt;Very family friendly of course, cheese &amp;amp; biscuits and fruit juice...and so on.&lt;br /&gt;&lt;br /&gt;The day is about raising consciousness, a day to remind people how exciting and interesting and fun it is to go into a REAL record store.&amp;nbsp; To hear some live music, have the opportunity to listen to recorded music in-store (of their choice, rather than designated "listening stations"!!), the tactile &amp;amp; visual feast that is so much a part of flipping through racks in really good music stores, and the joy of interacting with other music lovers, discussing new releases &amp;amp; re-issues with equal fervour. &lt;font color="#ff0000"&gt;&lt;b&gt;*koff*fervor*koff*&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;A day in which to think about and participate in the major contribution that indie stores (in general, not just music stores, of course)&amp;nbsp; actually make to the cultural fabric and personality of a Community/City/State/Country, and to remind us all that they are part of the "here &amp;amp; now" and not to be spoken of in nostalgic terms.&amp;nbsp; It's about getting out &amp;amp; supporting independent stores right now and ensuring that they continue to be a treasured part of our cultural landscape.&lt;br /&gt;&lt;br /&gt;Come on in &amp;amp; join in the fun...it should be a great day!&lt;br /&gt;&lt;br /&gt;For further info please go to...&amp;nbsp; www.basementdiscs.com.au or www.recodstoreday.com&lt;/i&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Source: Michael Pollard&lt;br /&gt;Teacher/Purchasing Officer&lt;br /&gt;Music Industry (Technical Production)&lt;br /&gt;RMIT University . School of Creative Media&lt;/i&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:41699</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/41699.html"/>
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    <title>Black in Fashion - Mourning to Night</title>
    <published>2008-04-14T06:39:19Z</published>
    <updated>2008-04-16T01:22:50Z</updated>
    <category term="black"/>
    <category term="shiny!"/>
    <category term="fashion"/>
    <content type="html">&lt;img vspace="5" hspace="5" align="right" alt="" src="http://i270.photobucket.com/albums/jj89/taliehelene/heels_250.jpg" /&gt;
&lt;i&gt;I am no way going to be able to go to this seminar, but it looks fascinating - and possibly great for story-generating. The NGV has a really awesome fashion collection, so will make a point of getting to the exhibition before it closes.&lt;/i&gt;
&lt;br&gt;
&lt;br&gt;
As part of the &lt;a href="http://www.ngv.vic.gov.au/blackinfashion/"&gt;Black in Fashion: Mourning to Night &lt;/a&gt; exhibition at the National Gallery of Victoria, there will be a special seminar featuring NGV curators delivering in-depth discussion of the historic and contemporary significance and diversity of black in fashion.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Seminar&lt;br /&gt;Saturday 19 April, 1.30-4.30&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt; Cost $35 / $25 Concession / $17 Student &lt;br /&gt; (includes afternoon tea)&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt; Venue: Theatre, NGV Australia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Black in fashion is a perennial topic of discussion. Throughout history the wearing of black clothing has had multiple and often contradictory meanings. At times, it has signified death, power, elegance, urbanity, subversion and sex appeal. &lt;span style="font-style: italic;"&gt;Black in Fashion: Mourning to Night &lt;/span&gt; explores the symbolism and enduring use of black in Australian and international fashion. &lt;br /&gt;&lt;br /&gt;The exhibition draws upon garments and accessories from the mid-nineteenth century to the present from the National Gallery of Victoria’s Fashion and Textiles collections together with a number of public and private loans. Portraits dating from the seventeenth to the twentieth centuries, from the NGV’s collection of paintings, also feature.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Black in Fashion: Mourning to Night &lt;/span&gt;will be the first exhibition to be held across both NGV venues, NGV International, 180 St Kilda Road and The Ian Potter Centre: NGV Australia at Federation Square.&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;NGV International&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;Level 2, &lt;br /&gt; Myer Fashion and Textiles Gallery&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt; 29 February – 31 August 2008&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt; &lt;br /&gt; The Ian Potter Centre: NGV Australia&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt; Level 2, Myer Fashion and Textiles Gallery&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt; 8 February – 24 August 2008&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt; &lt;br /&gt; Admission to the exhibition is free.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-style: italic;"&gt;Source: NGV Media&lt;br /&gt;&lt;br /&gt;X-post &lt;a href="http://ozhorrorscope.blogspot.com/2008/04/news-black-in-fashion-mourning-to-night.html"&gt;HorrorScope&lt;/a&gt; &amp;amp; &lt;a href="http://community.livejournal.com/melbournegoths/"&gt;melbournegoths&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:38820</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/38820.html"/>
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    <title>taliehelene @ 2008-04-12T09:50:00</title>
    <published>2008-04-11T23:55:22Z</published>
    <updated>2008-04-12T07:44:58Z</updated>
    <content type="html">Not much LJ writing, or serious writing, or even practice this week. (Like I am doing serious writing.)&lt;br /&gt;&lt;br /&gt;The 11-hour studio session (plus travel either way) on Monday,&amp;nbsp; while my uterus shook like a washing machine in need of a service&amp;nbsp; -- I am tired, and only catching up now. I begged off my vocal lesson on Wednesday, as I've just been really sore and zonked and cursed with the attractive and fun goreslick.&lt;br /&gt;&lt;br /&gt;Was going to have a completely unproductive date night with Scott last night, but he bumped me for the footy! (Not even for the correct team. Heathen.)&lt;br /&gt;&lt;br /&gt;If he thinks he can sweet talk his way into another night... no joy. I have to finish my radio ads and soft-synth modeling this weekend, so that's it for social contact. &lt;br /&gt;&lt;br /&gt;The dates we were originally told for the radio and EMT assignments are &lt;b&gt;&lt;i&gt;weeks later&lt;/i&gt;&lt;/b&gt; than when we're actually expected to sub work. Since I had to submit a production schedule with all my processes charted to the launch date, it would have been really helpful if the tutor had &lt;b&gt;&lt;i&gt;actually read it &lt;/i&gt;&lt;/b&gt;and got me to move my launch date sooner. &lt;br /&gt;&lt;br /&gt;Pain in the arse!&lt;br /&gt;&amp;nbsp;&lt;br /&gt;I have to write up my notes as a production journal for the Chilli Samba sesh, so I might &lt;strike&gt;inflict it on you all&amp;nbsp;&lt;/strike&gt; journal it here.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:38535</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/38535.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=38535"/>
    <title>things that are heavy, or ambipoxterity</title>
    <published>2008-04-11T23:37:56Z</published>
    <updated>2008-04-12T01:19:07Z</updated>
    <category term="magic naprogeisic moments"/>
    <category term="ambipoxterty"/>
    <category term="ouch!"/>
    <content type="html">On Thursday in class I was unconsciously typing with one hand, and the student beside me exclaimed really loudly - "Why are you typing with only one hand? It's &lt;i&gt;heaps faster &lt;/i&gt;with two."&lt;br /&gt;&lt;br /&gt;Like I was the dumbest fuck on the planet.&lt;br /&gt;&lt;br /&gt;That was rude, he was loud, and it really fucked me off. I was tired and vague and of course &lt;i&gt;&lt;u&gt;high&lt;/u&gt;&lt;/i&gt; on &lt;i&gt;Naprogeisic &lt;/i&gt;-- thus I was not there with witty rejoinders. I also hadn't thought about how or why I was still favoring my right&amp;nbsp; hand to give the left fingers some recovery time. I didn't know why I was typing one handed. Hadn't thought on it at all.&lt;br /&gt;&lt;br /&gt;Universities give away books all the time. The libraries decommission them, exiting students leave them at the student union - homeless books, good books, are everywhere looking for a home.&lt;br /&gt; &lt;br /&gt; I collected a stack of free biology books from the student union for Scott, as he's thinking about undertaking a degree, possibly in science - he really is too bright for where he is in manufacturing, and the chemicals are pretty toxic. He wouldn't be sorry to get away from the polish shop as far as the materials go, although I know he loves the social aspects of it. &lt;br /&gt; &lt;br /&gt; I figured a stack of university level science books would not be bad for giving him an idea of what goes on in the [supposed] ivory towers. And there they were. These were great current books - so I grabbed them! I stashed them in a locker at the State Library, and took them home in the evening (after tracking Chilli Samba). But they were HEAVY. Not just "girl heavy" - these were big fucking door-stoppers. I still have sore fingers on my left hand, from when I held the bag of books one-handed, so I could put my train ticket through the robot mouth (and collect it from the robot slit). Not extremely painful, just a twinge from muscles that have that micro-tearing bizo that muscles get when you push them. &lt;br /&gt;&lt;br /&gt;I have musician hands - playing builds up high density in slow twitch muscle fibres - so I'm better at long stints of finer movement, I'm not so suited to superman stints of GGGRRRROOOAAARRRGGGHHH!!! (Note the Official Berzerker Spelling. Luke Kenny might want five cents from me in royalties!) &lt;br /&gt;&lt;br /&gt;I typed this entry one handed, warming my strained hand around a cup of tea. I also do one handed typing if the double bass bites me (this can happen on either end of the bass!) I type pretty fast one handed. If I wrote erotica I'd be free to - ah, nevermind...</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:37428</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/37428.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=37428"/>
    <title>A Demonstration Of Limits</title>
    <published>2008-04-09T12:58:35Z</published>
    <updated>2008-04-09T13:10:48Z</updated>
    <content type="html">The product demo night was quite entertaining, and I am really thrilled at how affordable the Apogee range is, and it looks just awesome. (If it's good enough for Hans Zimmer...)&lt;br /&gt;&lt;br /&gt;But, I must say it put a [really unnecessary] damper on the evening when the Californian Apogee Demo Dude exclaimed --&lt;br /&gt;&lt;br /&gt;&lt;h1&gt;"We've made it so simple, even the girls in accounting can learn to use it!"&lt;/h1&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Nowhere near cool, Dude.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:36414</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/36414.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=36414"/>
    <title>Orchestral Manoeuvres In The Car Park</title>
    <published>2008-04-05T12:27:45Z</published>
    <updated>2008-04-06T04:07:23Z</updated>
    <category term="artists/relationship"/>
    <category term="steve reeves"/>
    <category term="maroondah symphony orchestra"/>
    <category term="headgunk"/>
    <category term="double bass"/>
    <content type="html">After much rumination - or a little bit - I've decided to take the rest of this year off from playing with &lt;a href="http://www.music.systemsolve.net/maroondah/"&gt;Maroondah Symphony&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;When I joined, the deal was, "I'll come play bass for you, if you can get me and the tree a ride to rehearsals."&lt;br /&gt;&lt;br /&gt;Which was fine initially, but for various reasons [peoples private lives] that isn't working out this year. I can get a ride, but so intermittently, I'm not getting the benefit to my playing out of the experience. &lt;br /&gt;&lt;br /&gt;Scott offered to drive me to rehearsals - he lives two minutes from the space - but I don't want to rely on that. Last year I asked him to help me out getting to five rehearsals for the concert with &lt;a href="http://www.mso.com.au/cpa/htm/htm_profile.asp?page_id=20"&gt;Steve Reeves&lt;/a&gt; as soloist - he &lt;i&gt;forgot&lt;/i&gt; &lt;b&gt;(!)&lt;/b&gt; about two of those! Putting me in the fairly stressful sitch of playing a concert accompanying one of the most advanced orchestral double bassists in Australia, with only two rehearsals and a pre-gig warm up. &lt;br /&gt;&lt;br /&gt;That sort of thing could very easily have done more damage than good, and I don't want to risk be stuck in that kind of situation again.&lt;br /&gt;&lt;br /&gt;As it turned out, I did OK - actually, I was surprised how my reading held up. But I did not enjoy it very much, and I missed out on some good experience rehearsing with such a great player. (Steve is also on Faculty at Melbourne University, Monash University, the VCA - and private lessons with him are $100.00 an hour!)&lt;br /&gt;&lt;br /&gt;It also caused a fair bit of tension in my relationship - although I am *not* cutting back on my artistic life for that reason (or at all). A relationship between two artists isn't easy.&amp;nbsp; We both have consuming dreams - yet each persons work needs to be important and mindfully supported. It's something I've been struggling with a lot, I don't feel we're at the greatest place in that regards - although more about that is so not getting blasted (or more importantly wasted) in a Livejournal entry... &lt;br /&gt;&lt;br /&gt;I've since run into Maroondah players, and had the overwhelming response of, "O, Talie! - we miss you and your bass so much!" &lt;br /&gt;&lt;br /&gt;Which is nice -- but if it isn't beneficial right now, then it's better to take a hiatus.&lt;br /&gt;&lt;br /&gt;I recently ran into an oboist from Maroondah, and she said, "You can play in orchestras like that any time you want."&lt;br /&gt;&lt;br /&gt;She's right. I have an open invitation from Stonnington Symphony sitting in my email. (And it's not like the world is exactly overpopulated with double bassists.) Right now getting through my current courses, getting my other music accreditation advanced, and keeping enough time for writing (so I can call myself a writer), that's enough.&lt;br /&gt;&lt;br /&gt;I'll have to write Willem van der Vis a thank you note for his Direction, and request a reference from him (for future music study). I would be very happy to put in another stint with Maroondah Symphony down the road, but the road is the stumbling block right now.&lt;br /&gt;&lt;br /&gt;Of course I need to get a car of my own that'll fit my bass, and the rest - but I'm still inching my way out of debt from my studies at Box Hill (Performing Arts). I can't fund everything at once, especially not on primarily an arts income, while studying as well. It's a lot to juggle on a little.&lt;br /&gt;&lt;br /&gt;Hopefully I'll be able to afford double bass lessons again soon, and can really start developing my next AMEB/Trinity Guildhall level.&lt;br /&gt;&lt;br /&gt;I've been in a withdrawn funk&amp;nbsp; --&amp;nbsp; still processing a lot of headgunk from the corruption/sleazy/sexist education disillusion-burn-out, and of course I HAVE to process it because I'm a thoughtful person, I need to understand those experiences, and I don't want to &lt;u&gt;&lt;b&gt;&lt;i&gt;be like &lt;/i&gt;&lt;/b&gt;&lt;/u&gt;those horrible, immature, dysfunctional artists, so there's a lot of poor teaching and negative influence to ditch&amp;nbsp; --&amp;nbsp; but be that as it may, I really need to get back on form with basic polite things like that. (Told you this isn't a publicity blog.)</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:35639</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/35639.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=35639"/>
    <title>Library: Metal Magazines (&amp; A Touch Of Goth Subculture)</title>
    <published>2008-04-04T12:34:51Z</published>
    <updated>2008-04-05T13:38:46Z</updated>
    <category term="library"/>
    <category term="metal magazines"/>
    <category term="australian metal"/>
    <content type="html">Shelfari won't load magazines - and a lot of these are zines with no ISSN. It is (I am quite sure) not the most comprehensive zine collection around, but I thought it's a kinda fun list. Australian metal is an abiding interest of mine, and a lot of these are local. &lt;br /&gt;&lt;br /&gt;The really early Australian zines have been kindly donated.&lt;br /&gt;&lt;br /&gt;I decided to blog this after &lt;a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;amp;friendid=97050108"&gt;David&lt;/a&gt; told me his ex once explained to him - &lt;br /&gt;&lt;br /&gt;&lt;font size="5"&gt;&lt;b&gt;"Talie only &lt;i&gt;pretends&lt;/i&gt; to like metal to &lt;i&gt;impress boys!&lt;/i&gt;"&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;(She is a genius, and with such insight should get into practicing psychoanalysis right away!)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Read more..."&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Trampled Down Under #1 by &lt;br /&gt;Phil, Karl, &amp;amp; Gaby    Melbourne, Australia&lt;br /&gt;Magazine     20    &lt;br /&gt;Release:  Dec 1983&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Trampled Down Under #2 by &lt;br /&gt;    Melbourne, Australia&lt;br /&gt;Magazine     20    &lt;br /&gt;Release:  Dec 1984&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Trampled Down Under #3 by &lt;br /&gt;    Melbourne, Australia&lt;br /&gt;Magazine     20    &lt;br /&gt;Release:  Dec 1985&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Trampled Down Under #4 by &lt;br /&gt;    Melbourne, Australia&lt;br /&gt;Magazine     20    &lt;br /&gt;Release:  Dec 1985&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;The Coroners' Report, Volume 1, No.5 (Maggots Cover) by &lt;br /&gt;Sparky    Cobar, NSW&lt;br /&gt;Magazine     32    &lt;br /&gt;Release:  Dec 1992&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;The Coroners Report, Volume 1, No.5 (Necro Cover) by &lt;br /&gt;Sparky    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1992&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;M4, Issue 8 by &lt;br /&gt;Clinton Green    Melbourne, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  May 1992&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;In Your Face by &lt;br /&gt;Tom Menace    Vermont South, Australia&lt;br /&gt;Magazine     44    &lt;br /&gt;Release:  Aug 1992&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Oskorei by &lt;br /&gt;Lars Jamne    Bergen, Norway&lt;br /&gt;Magazine     48    &lt;br /&gt;Release:  Dec 2001&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Dark Angel, Issue 21 by &lt;br /&gt;Azriel (Jerry)    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1995&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Dark Angel, Issue #15 by &lt;br /&gt;Azriel (Jerry)    Richmond, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1995&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Dark Angel, Issue #20 by &lt;br /&gt;Azriel (Jerry)    Richmond, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1995&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Dark Angel, Issue #17 by &lt;br /&gt;Azriel (Jerry)    Richmond, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1995&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Chomp by &lt;br /&gt;Central Highlands Original Music Promotions    Kyneton, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1998&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Load Of Noise, Issue #2 by &lt;br /&gt;Pete W    Cheshire, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 2005&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Musically Incorrect, Issue 1 by &lt;br /&gt;Simon Lukic    Melbourne, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Apr 1999&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Musically Incorrect, Issue 2 by &lt;br /&gt;Simon Lukic    Melbourne, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1999&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Extreme Noise, Issue 1 by &lt;br /&gt;Mark Streeter    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jun 2002&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Extreme Noise, Issue 2 by &lt;br /&gt;Mark Streeter    Melbourne, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Feb 2003&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer Poster Express #4 by &lt;br /&gt;Metal Hammer    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal, Issue #1 by &lt;br /&gt;Futura Publishing    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Power Meral: The Nastiest Magazine On Earth by &lt;br /&gt;John Santangelo    NY, USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Feb 1989&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Rock Beat: The HairFarmers Almanac by &lt;br /&gt;Metal Hammer&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jul 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Countdown Magazine #48 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jul 1987&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Juke Magazine by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jan 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer Poster Express #3 by &lt;br /&gt;Rock Team Publishing    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Outsider, Vol 3 Issue 2 by &lt;br /&gt;Roadrunner Australia    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1999&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Outsider, Volume 6 Issue 2 by &lt;br /&gt;Roadrunner Australia    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 2002&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Kerrang! by &lt;br /&gt;eMap    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Apr 2004&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Kerrang! by &lt;br /&gt;eMap    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jan 2005&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;The Buzz Vol 12 #4 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 2004&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal #? by &lt;br /&gt;    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Kerrang! #218 by &lt;br /&gt;    UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 17&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Rolling Stone, Issue 603 by &lt;br /&gt;    USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Aug 2002&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Rolling Stone, Issue 6004 by &lt;br /&gt;NEXT    USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 2002&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal #? by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer: Metal Thrash Attack #4 by &lt;br /&gt;Universa Medien Verlags GMBH    Germany&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Access All Areas #3 by &lt;br /&gt;Force 10 Publications    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Forces #? by &lt;br /&gt;Force 10 Publications    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jan 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Terrorizer #97: Chuck Schuldiner Tribute Edition by &lt;br /&gt;European Quality Publications    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Mar 2002&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer: Metal Attack Thrash #2 by &lt;br /&gt;Rock Team Publishing    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Forces #44 by &lt;br /&gt;Force 10 Publications    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Nov 1989&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal 1989 Readers Poll Souvenit Booklet by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1989&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Terrorizer #142: Doom Special by &lt;br /&gt;European Quality Publications    London&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Mar 2006&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer by &lt;br /&gt;Future Publishing    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jun 2006&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Rock Sound Issue 76 by &lt;br /&gt;    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 2005&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Blunt Issue 44 by &lt;br /&gt;Next    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Twisted Issue 31 by &lt;br /&gt;Next    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Revolver #40 by &lt;br /&gt;    New York, USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Nov 2005&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;FIEND #9 by &lt;br /&gt;Ground Under Productions    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 2005&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Death Before Dishonour #1 by &lt;br /&gt;The Kingdom Of Sad Machines    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Feb 2006&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Mess+Noise by &lt;br /&gt;Mess+Noise    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Mar 2006&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hit Parader's Metal Superstars by &lt;br /&gt;Charlton Publications    New York, USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1989&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;The Hot Metal Guide To Thrash by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Kerrang! #211 by &lt;br /&gt;Spotlight Publications    London, UK&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Oct 1988&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal #? by &lt;br /&gt;    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Musician #146 by &lt;br /&gt;    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Musician: Metal by &lt;br /&gt;Billboard Publications    USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1989&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer Extra Thrash #3 by &lt;br /&gt;Rock Team Publishing    London&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Brashs Hot Metal Free 1991 Calendar by &lt;br /&gt;    Australia&lt;br /&gt;Calendar         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Masters #5 by &lt;br /&gt;Tadevan Holdings    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer Special: Metal Attack Thrash #4 by &lt;br /&gt;Universa Medien Verlags GMBH    Germany&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hit Parader #284 by &lt;br /&gt;Charlton Publications    New York&lt;br /&gt;Magazine         &lt;br /&gt;Release:  May 1988&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hit Parader Yearbook by &lt;br /&gt;Charlton Publications    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1988&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;The Good Weekend: The Age Magazine - I Was A Heavy Metal Freak (and lived to use my ears again) by &lt;br /&gt;The Age    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Oct 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Rolling Stone Issue 457 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  May 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;The Age EG by &lt;br /&gt;The Age    Australia&lt;br /&gt;Newspaper         &lt;br /&gt;Release:  Jan 1993&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Circus 20th Anniversary Year: Rock &amp;amp; Roll 1969-1989 by &lt;br /&gt;Circus Enterprises    New Yourk, USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Feb 28&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Mania by &lt;br /&gt;Tempo Publishing    New York&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1989&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Metal Hammer No14, Vol.6 by &lt;br /&gt;    &lt;br /&gt;Magazine         &lt;br /&gt;Release:  Oct 1992&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;The Hot Metal Retro Series No.2: Led Zeppelin by &lt;br /&gt;    Australia&lt;br /&gt;Poster         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Thrash Metal by &lt;br /&gt;    &lt;br /&gt;         &lt;br /&gt;Release:  May 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal Special Issue No.1: Metallica, Vol.11, No.1 by &lt;br /&gt;    Australia&lt;br /&gt;         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal, Issue 11 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1989&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal, Issue 24 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Feb 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal, Issue 22 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal Poster Power, Volume 1 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal Issue 14 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Apr 1990&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hot Metal Issue 18 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Aug 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Blunt, Issue 40 by &lt;br /&gt;Next    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Hit List, Vol1, No.1: The Politics Of Black Metal by &lt;br /&gt;    USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Feb 1999&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Rebel Razor by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  May 1995&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;No Deception #3 by &lt;br /&gt;    Japan&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Nov 1992&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;M.A.G. by &lt;br /&gt;    USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1997&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;IMPIOUS #3 by &lt;br /&gt;The Order Of Chaos    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1997&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;In Your Face, Issue 15, Vol 666 by &lt;br /&gt;    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Oct 1998&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;GGRROOAARRHH! Issue III by &lt;br /&gt;Irene &amp;amp; Tracey    Wanniassa, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 1991&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Secret Devil Zine by &lt;br /&gt;    Dickson, ACT, Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Jun 1992&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Unrestrained! Your authority on the metal underground, Issue 31 by &lt;br /&gt;    Ontario, Canada&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;$11.60 AU&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Unrestrained! Your authority on the metal underground, Issue 28 by &lt;br /&gt;    Ontario, Canada&lt;br /&gt;Magazine         &lt;br /&gt;Release:  &lt;br /&gt;$11.60 AU&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Decibel  #019 by &lt;br /&gt;Red Fleg Media    PA, USA&lt;br /&gt;Magazine         &lt;br /&gt;Release:  May 2006&lt;br /&gt;$9.95 AU&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;mag DEC/JAN 2007 by &lt;br /&gt;JB HIFI    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Dec 2007&lt;br /&gt;Free&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Death Before Dishonour #4 by &lt;br /&gt;The Kingdom Of Sad Machines    Australia&lt;br /&gt;Magazine         &lt;br /&gt;Release:  Nov 2006&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 022 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Mar 2008&lt;br /&gt;3.30 PS&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 021 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Jan 15&lt;br /&gt;3.30 uk&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 020 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Nov 15&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 019 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Oct 15&lt;br /&gt;&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 018 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Jul 15&lt;br /&gt;3.20 UK&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 017 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  May 15&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 016 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Mar 2007&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 015 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     96    &lt;br /&gt;Release:  Jan 15&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue  014 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Nov 2006&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 013 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Apr 2006&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 012 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Jul 2006&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 011 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  &lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 010 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Mar 2006&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 009 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Jan 2006&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 008 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     128    &lt;br /&gt;Release:  Nov 2005&lt;br /&gt;3.20&lt;br /&gt;---------------------------------------------------------------------------------&lt;br /&gt;Zero Tolerance Magazine Issue 006 by &lt;br /&gt;Obdurate LTD    UK&lt;br /&gt;Paperback     96    &lt;br /&gt;Release:  Jul 2005&lt;br /&gt;3.00&lt;br /&gt;--------------------------------------------------------------------------------&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:35384</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/35384.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=35384"/>
    <title>Weekend Tasks List</title>
    <published>2008-04-04T09:07:05Z</published>
    <updated>2008-04-06T03:15:47Z</updated>
    <category term="shelfari"/>
    <category term="pedantry"/>
    <category term="tiara"/>
    <category term="book acquisitions"/>
    <category term="task list"/>
    <category term="headache"/>
    <content type="html">&lt;font size="2"&gt;I'm home all weekend - which doesn't happen that often. But I'm tired - I have a 9am-2pm session of classes in the computer LAB on Friday, without a break, which invariably gives me a headache. Great to be getting a catch-up in &lt;a href="http://www.digidesign.com/index.cfm?navid=28&amp;amp;langid=61&amp;amp;"&gt;Pro Tools&lt;/a&gt; - but - ouchies!&lt;br /&gt;&lt;br /&gt;The homework load has just gone &lt;u&gt;&lt;i&gt;&lt;b&gt;WHOOSH! HERE I AM!&lt;/b&gt;&lt;/i&gt;&lt;/u&gt; - and I have to get enough work done ahead of due dates to accommodate an interstate work jaunt.... I'm not seeing Scott this weekend - on Monday I have a twelve hour studio booking to track and mix &lt;b&gt;Chilli Samba&lt;/b&gt;, a Brazilian folk ensemble, as an assessment for &lt;b&gt;Apply Music Knowledge &amp;amp; Artistic Judgement&lt;/b&gt; - so the day that's usually &lt;i&gt;my day&lt;/i&gt;, that is taken over by a long session. So staying home this weekend is a good idea.&lt;br /&gt;&lt;br /&gt;So I'm going to post a few bits to this journal over the weekend, since I'll have the opportunity.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This will become a list of tasks tackled:&lt;br /&gt;&lt;br /&gt;&lt;/font&gt;&lt;ul&gt;&lt;li&gt;&lt;font size="2"&gt;Create Weekend Tasks List (what a bullshit first item)&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Get fireplace fired up!&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Add recent&lt;span style="font-weight: bold;"&gt;(ish) &lt;/span&gt;book acquisitions [sitting in a big messy pile on the couch] to Bookpedia &amp;amp; &lt;a href="http://www.shelfari.com/TalieHelene/shelf"&gt;Shelfari&lt;/a&gt; - then shelve 'em! (I'd add them to &lt;a href="http://www.librarything.com/profile/TalieHelene"&gt;Library Thing&lt;/a&gt;, but I cannot afford to the extra indulgence of buying a membership right now... Rock'n'roll!)&lt;/font&gt;&lt;/li&gt;&lt;ul&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Barry Smith - &lt;span style="font-style: italic;"&gt;Peter Warlock: The Life Of Philip Heseltine&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Theodor Adorno - &lt;span style="font-style: italic;"&gt;Sound Figures&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Stephen Jones (ed) - &lt;span style="font-style: italic;"&gt;The Giant Book Of Horror &lt;/span&gt;[which shares the ISBN 1-86309-172-6 with a completely different book -&amp;nbsp;                                 The Giant Book Of Golden Age SF - how can that be?]&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Mike Ashley (ed) - &lt;span style="font-style: italic;"&gt;The Mammoth Book of Short Horror Novels &lt;/span&gt;&lt;br /&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Dennis Etchinson (ed) - &lt;span style="font-style: italic;"&gt;Cutting Edge&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Charles L.Grant (ed) - &lt;span style="font-style: italic;"&gt;A Gallery Of Horror: Portraits in Terror by the Modern Masters&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li style="font-style: italic;"&gt;&lt;font size="2" color="#666699"&gt;Algernon Blackwood - The Best Supernatural Tales of Algernon Blackwood&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Stephen King - &lt;span style="font-style: italic;"&gt;Duma Key&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Joe Hill - &lt;span style="font-style: italic;"&gt;20th Century Ghosts&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Kate Grenville - &lt;span style="font-style: italic;"&gt;Dark Places&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;Clive Barker - &lt;span style="font-style: italic;"&gt;Visions Of Heaven And Hell&lt;/span&gt;&lt;br /&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2" color="#666699"&gt;David Miles Huber &amp;amp; Robert E. Runstein - &lt;span style="font-style: italic;"&gt;Modern Recording Techniques (Sixth Edition)&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="1"&gt;&lt;span style="font-style: italic;"&gt;&lt;font size="2" color="#666699"&gt;&lt;font color="#ff0000"&gt;&lt;a href="http://www.ztmag.com"&gt;Zero Tolerance Magazine #22&lt;/a&gt;&lt;/font&gt; &lt;/font&gt;&lt;font size="2" style="color: rgb(128, 128, 128);"&gt;[How did I work that in so seamlessly? I'm a marketing genius!]&lt;/font&gt;&lt;br /&gt;&lt;/span&gt;&lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li&gt;&lt;font size="2"&gt;Put ZTs in order, and blog Bookpedia &lt;a href="http://taliehelene.livejournal.com/35639.html#cutid1"&gt;Metal Mag List&lt;/a&gt; for a lark&amp;nbsp;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;ZT Covermount Double CD #22 in Double Hardcase&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Vocal Practice&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;SATURDAY&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Renew PO Box&lt;/li&gt;&lt;li&gt;Grocery shoppin' (wow!)&lt;/li&gt;&lt;li&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Untangle very big hair (tangled by 80kph wind!) while watching &lt;i&gt;&lt;font color="#808080"&gt;No Country For Old Men &lt;/font&gt;&lt;/i&gt;&lt;font color="#808080"&gt;(excellent!)&lt;/font&gt;&lt;br /&gt;&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;Bring in boxes displaced in the storm; find some place for them&lt;/li&gt;&lt;/ul&gt;SUNDAY&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Find source for Firewire Drive for &lt;/font&gt;&lt;/font&gt;Production Session Back-up&lt;/li&gt;&lt;li&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Review &amp;amp; Complete latest &lt;i&gt;Zero Tolerance Contributor Contract&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;&lt;li&gt;Draft 2: Press Release for May 8th gig&lt;/li&gt;&lt;li&gt;Draft 1: Funding thing&lt;/li&gt;&lt;li&gt;Draft 1: Placement ideas and CV and PR samples for Jill Shelton&lt;/li&gt;&lt;li&gt;Vocal practice&lt;/li&gt;&lt;li&gt;Move other various messy boxes into storage area&lt;/li&gt;&lt;li&gt;AHWA News Updates&lt;/li&gt;&lt;li&gt;Emails&lt;/li&gt;&lt;li&gt;Call for AHWA Members Sales &amp;amp; Wins!&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;MONDAY&lt;ul&gt;&lt;li&gt;Post ZT 2008 Contract&lt;/li&gt;&lt;li&gt;Studio Session: track and mix Chilli Samba&lt;/li&gt;&lt;li&gt;Get Firewire Drive for Production Session Back-up &lt;br /&gt;&lt;/li&gt;&lt;li&gt;Drop off funding application to RMIT Arts Council&lt;/li&gt;&lt;/ul&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:35126</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/35126.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=35126"/>
    <title>Audio For Media Test Results</title>
    <published>2008-04-04T06:32:32Z</published>
    <updated>2008-04-04T06:55:34Z</updated>
    <category term="synchronisation"/>
    <category term="pow! pow! pow!"/>
    <category term="music education"/>
    <category term="audio for media"/>
    <category term="rmit"/>
    <category term="music industry (technical production)"/>
    <content type="html">&lt;img width="400" vspace="5" hspace="5" height="610" border="5" align="right" src="http://i270.photobucket.com/albums/jj89/taliehelene/Audio_for_media_test_1.gif" alt="" /&gt;I had a test on Thursday, on &lt;span style="font-weight: bold;"&gt;Synchronisation&lt;/span&gt; -- which is the technical stuff that occurs to get audio and video (analogue and digital) devices locked together in various kinds of audio/visual production facilities.&lt;br /&gt;&lt;br /&gt;At RMIT these competencies are covered in a subject called &lt;br /&gt;&lt;b&gt;Audio For Media&lt;/b&gt;. My tutor for this subject is Tim Johnston, who also teaches the &lt;b&gt;EMT (Electronic Music Technology)&lt;/b&gt; subject.&lt;br /&gt;&lt;br /&gt;Tim was a house engineer at &lt;a href="http://www.messandnoise.com/discussions/311132?utm_source=csr_related&amp;amp;utm_medium=partner"&gt;Metropolis&lt;/a&gt;, which until recently (when it closed doors for good) was the Mecca for big music production values in Melbourne. Tim has a pretty neat CV from what I could find online when I was researching which course to do in 2008. This is his very short career blurb from the &lt;a href="http://www.pbsfm.org.au/Documents.asp?ID=2210&amp;amp;Title=AUSMUSIC+%26+Metropolis+Audio+Masterclass+Series+2006"&gt;2006 Ausmusic/Metropolis/3PBS Masterclass series&lt;/a&gt; website.&lt;br /&gt;&lt;br /&gt;&lt;div style="margin-left: 40px;"&gt;&lt;i&gt;TIM JOHNSTON (Producer/Engineer)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Credits:&lt;/b&gt; &lt;br /&gt;Nick Cave &amp;amp; the Badseeds, The Waifs, Stereophonics, Dallas Crane, Even, Tex Perkins…&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;From &lt;a href="http://www.pbsfm.org.au/Documents.asp?ID=2242&amp;amp;Title=Masterclass+Series+2006+CD+Pack"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Not bad, huh? &lt;br /&gt;&lt;br /&gt;I mention this because technically I already completed the competency in Synchronisation at THAT PLACE, where I actually had to stripe analogue tape with timecode, and lock it to both Protools and two Umatic video playback/recorders. The "gentleman" who took that class has no notable production credentials in industry outside those sponsored and facilitated by the TAFE. Whatever that means - something that ain't nothing.&lt;br /&gt;&lt;br /&gt;The way the Diploma in Music Production is structured, all the competencies have to be covered, but the training providers can package them into subjects any way they want. It was easier to just slot into the RMIT course structure, than try to pull apart individual parts that I have/have not covered.&lt;br /&gt;&lt;br /&gt;Also, at RMIT I'm getting far superior written support materials, and a lot more experience in Protools and Logic, which are of more application than analogue chops. Not sorry I've played with vintage equipment (although it certainly wasn't worth the headfuck of THAT PLACE.) &lt;br /&gt;&lt;br /&gt;So, test in Synchronisation - Tim graded the tests and emailed the results out THE SAME DAY we took the test. He didn't give us any student names - just student numbers, which is kinda cool as I can see how I fared in terms of entire class performance. I've further cut the doc to protect the anonymity of those students who didn't go so great.&lt;br /&gt;&lt;br /&gt;I didn't get 100% - but then no one did. Four students got 18 (92%), and I'm one of them. Getting the highest grade given is OK by me. &lt;br /&gt;&lt;br /&gt;I actually wrote "trick question?" next to one answer, and a "?" next to another -- so I reckon those are the ones I got wrong. One of them was a small boring math thing (unlike a lot of the interesting math things), and the other was nowhere near my study notes. Anyway, so far I am still in A or A+ territory with all my results, which is not a bad place to be.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:34591</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/34591.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=34591"/>
    <title>If what I think just happened, did happen, I'm very sorry about the inadvertent spam.</title>
    <published>2008-04-03T12:03:39Z</published>
    <updated>2008-04-03T12:05:30Z</updated>
    <category term="invites spam"/>
    <category term="stumble upon"/>
    <content type="html">&amp;nbsp;I just posted the following to the &lt;a href="http://www.stumbleupon.com/"&gt;Stumble Upon&lt;/a&gt; Contact page:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;blockquote&gt;Hi,&lt;br /&gt;&lt;i&gt;&lt;br /&gt;I tried to load a file of my address book into Stumble Upon - so I could browse and see who might already be a member. &lt;br /&gt;&lt;br /&gt;Based on the Auto-responses in my email, I'm very worried that all my contacts have been spammed with a Stumble Upon request.&lt;br /&gt;&lt;br /&gt;I did not authorize this - and would never do that on purpose.&lt;br /&gt;&lt;br /&gt;Can you shed some light on this?&lt;br /&gt;&lt;br /&gt;Best Regards,&lt;br /&gt;Talie&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;If you've received a daft spam invite thing from me - hugely hugely sorry. Not intended at all. &lt;br /&gt;&lt;br /&gt;Gosh, it would have even mailed emails I have merely "clipped" but not contacted. How mortifying.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:34077</id>
    <link rel="alternate" type="text/html" href="http://taliehelene.livejournal.com/34077.html"/>
    <link rel="self" type="text/xml" href="http://taliehelene.livejournal.com/data/atom/?itemid=34077"/>
    <title>Etude on a Fragile Skull</title>
    <published>2008-04-01T10:55:55Z</published>
    <updated>2008-04-03T07:10:16Z</updated>
    <category term="event management"/>
    <category term="guide to grammar and writing"/>
    <category term="mastodon"/>
    <category term="testosterone ego bullshit"/>
    <category term="reunion tour dementia"/>
    <category term="apply music knowledge&amp;amp;artistic judgement"/>
    <category term="headache"/>
    <category term="rmit"/>
    <content type="html">Today was a return to Tuesday classes, after two weeks off. &lt;br /&gt;&lt;br style="font-style: italic; font-weight: bold;" /&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;Event Management&lt;/span&gt; -- I started to get a headache in &lt;i&gt;Event Management&lt;/i&gt;, and by the end of class my skull was pounding horribly.&amp;nbsp; Jill cracked the shits at the class today - which to be perfectly honest is EXACTLY what I wish had occurred about 100 times at Box Hill. Testosterone ego bullshit and disruptions - not only is it disrespectful to the teacher, but it is disrespectful to the other students. To see it NOT tolerated with a boys-will-be-boys disclaimer on basic courtesy - &lt;span style="font-weight: bold;"&gt;gold! &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;But my head was ouchies, and I could have lived without the yelling and aggression while in such pain. Self-medicated with lots of water and a couple of extremely nice soy cappuccinos in Lygon Street - and got some sweet sympathy sms' from Scott -&amp;nbsp; this took the edge off, but I was still flat by the next class.&lt;br /&gt;&lt;br style="font-weight: bold;" /&gt;&lt;i style="font-weight: bold;"&gt;Apply Music Knowledge &amp;amp; Artistic Judgement&lt;/i&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;-- My teacher for this subject is a bloke called Paul Thomas. Paul was sporting some very dark sunglasses as he sauntered to class, because as we all know (and forget) alcohol is initially fun, and subsequently excrutiating.&amp;nbsp; He played a few gigs over the weekend in Perth with his band &lt;i&gt;Weddings, Parties, Anything&lt;/i&gt;. According to &lt;a class="nickname fn" href="http://punkrocker1991.livejournal.com/"&gt;&lt;b&gt;punkrocker1991&lt;/b&gt;&lt;/a&gt; they were worthy of repeat patronage (which by the way I reported back to Paul - you gotta love repeat customers). This semester is going to be increasingly amusing as the WPA associated staff members slide ever deeper into Reunion Tour Dementia. &lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;___ ___ ___&lt;br /&gt; &lt;/div&gt; &lt;br /&gt;&lt;br /&gt;A student gave a presentation today, on the production techniques of Mastodon's &lt;a href="http://en.wikipedia.org/wiki/Colony_of_Birchmen"&gt;Colony Of Birchmen&lt;/a&gt;. The usual guff about the band being technical and progressive.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Paul commented, 'I don't really know that much about metal, to comment on the band - anyone who knows their metal have an opinion of that?'&lt;br /&gt;I chimed in, 'Overrated!'&lt;br /&gt;The presenting student gave me a tight-lipped, 'I do not share your opinion.'&lt;br /&gt;&lt;br /&gt;When I related it to Scott later, he was stirring me, 'Making enemies!' &lt;font size="5"&gt;&lt;b&gt;*&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;To which I replied, 'Nah - but any guy who can't cope with someone not agreeing with their opinion of one band... who cares? Besides, Mastodon - there are other bands who paint with that dirty palette who are more authentically technical and progressive. Their songs are actually simple.'&lt;br /&gt;'Yeah, it's like saying my mum makes authentic Italian pasta.'&lt;br /&gt;&lt;br /&gt;I liked that.&lt;br /&gt;&lt;br /&gt;[Wish the guy had given the presentation on what I think musta been Re-Anaconda by Zimmers Hole - which he played as an April Fools joke.]&lt;br /&gt;&lt;div align="center"&gt;___ ___ ___&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;There was a music managers forum panel on at The Laundry tonight, which if it were not for the headache of doom - I might have gone. I know the booking agent was from Premiere Artists, so they'd be good. But I don't know who they were featuring in the way of a manager or publicist -- since there are some practitioners out there who are great, and some whom one could only describe by damning with faint praise --&amp;nbsp; OK, I could damn with something stronger --&amp;nbsp; the gist of the thing is, it wasn't worth a blind punt with a sore head.&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;___ ___ ___&lt;br /&gt; &lt;/div&gt; &lt;br /&gt;&lt;br /&gt;OK -- I'm turning in early, to give myself a chance to sleep off the headache before the codeine wears off...&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Random Addendum: &lt;/span&gt;&lt;a href="http://grammar.ccc.commnet.edu/grammar/"&gt;this&lt;/a&gt; Guide to Grammar and Writing is really neat.&lt;br /&gt;&lt;b&gt;&lt;font size="5"&gt;&lt;br /&gt;&lt;/font&gt;&lt;/b&gt;&lt;font size="1"&gt;&lt;b&gt;&lt;font size="5"&gt;*&lt;/font&gt;&lt;/b&gt; I already have enemies. They also fall in the WHO CARES category.&lt;/font&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:34001</id>
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    <title>various &amp; vague</title>
    <published>2008-03-31T12:30:07Z</published>
    <updated>2008-04-01T23:23:59Z</updated>
    <content type="html">This weekend has been:&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;good for vocal practice&lt;/li&gt;&lt;li&gt;bad for creative writing&lt;/li&gt;&lt;li&gt;good for cleaning&lt;/li&gt;&lt;li&gt;good for organizing academic work&lt;/li&gt;&lt;li&gt;bad for naughty food [oven chips and discount chocolate]&lt;/li&gt;&lt;li&gt;slow for reviewing&lt;/li&gt;&lt;li&gt;good for not clashing with the boy&lt;/li&gt;&lt;li&gt;bad for journaling in any depth&lt;/li&gt;&lt;li&gt;shit for German pronunciation in the Bach repertoire&lt;/li&gt;&lt;li&gt;great for keeping warm with a pot-belly fireplace&lt;/li&gt;&lt;li&gt;uneventful&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;I spent too much time being social [that is not working] at Scott's. He's my little seductress.&lt;br /&gt;&lt;br /&gt;Discovered the pleasures of &lt;a href="http://en.wikipedia.org/wiki/Underbelly_(TV_series)"&gt;&lt;i&gt;Underbelly.&lt;/i&gt;&lt;/a&gt; &lt;br /&gt;&lt;b&gt;&lt;br /&gt;Great Music! &lt;/b&gt;Sounds rather Spiderbaity on the soundtrack/score front. &lt;br /&gt;&lt;i&gt;&lt;b&gt;Bouncy! Bounce! Bounce! &lt;/b&gt;&lt;/i&gt;Channel 9 are getting lots of tits and arse in frame, eh? &lt;br /&gt;&lt;br /&gt;Really makes ya want to read John Silvester and Andrew Rule's book &lt;i&gt;Leadbelly.&lt;/i&gt; [I have a few copies of the anthology &lt;i&gt;Underbelly&lt;/i&gt; lying around, and yet I always do shithouse at the trivia quizz at the Ned Kelly Awards. Serves me right for not watching much TV.] I think I was &lt;i&gt;&lt;u&gt;&lt;b&gt;at&lt;/b&gt;&lt;/u&gt;&lt;/i&gt; The Neds when Helen Garner beat them out for the Best True Crime award? Was that 2005? [Most years were drunk - criminal lawyers and an open bar - actually, all years but last year were drunk.] Deborah and I and Leigh Redhead and that dude who is *in* her novels - and a small entourage of others - went out to some funky overpriced place in Brunswick Street? Noah Taylor was slinking about upstairs like a tattered pin-up poster of Nick Cave that's come to life. I might have recounted a story I heard from a girl who rooted him disastrously - at an inappropriate volume - just when the band stopped playing. That sounds like me. (Fuck, I'm classy.) &lt;br /&gt;&lt;br /&gt;What I do remember is the hangover. And not wanting to move.&lt;br /&gt;&lt;br /&gt;(Am I boring now? Or is my shit together?)&lt;br /&gt;&lt;br /&gt;Am not going to be able to have another weekend with nights in a row with the BF for some time. I really need to be tougher and not see him as much.&amp;nbsp; Need to study on the weekends in April, or May will be painful and raw-red-eyed. Scott's been very cool about me focusing on my studies and creative projects, for which I am very grateful.&lt;br /&gt;&lt;br /&gt;I listened to the Stoker podcast archive while tackling the disgorged contents of my filing cabinet [which I need to move, then fill and organize properly]. Diverting - Rocky Wood got a bit of podium time too. Antipodean accent standing out a mile is always nice. If you're interested, I compiled a user-friendly list of links to the files over at &lt;a href="http://ozhorrorscope.blogspot.com/2008/03/news-21st-annual-bram-stoker-awards.html"&gt;HorrorScope&lt;/a&gt;.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:taliehelene:32811</id>
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    <title>Maps For Caffeine Withdrawal</title>
    <published>2008-03-28T03:46:19Z</published>
    <updated>2008-03-28T03:52:59Z</updated>
    <content type="html">I am at RMIT - I have 45 minutes to kill. Skipped my Digital Editing (first year) class forward to the later class time, so I could attend an RMIT Arts Council funding meeting. The deadlines for proposals is awfully soon, but I have an idea in mind, so we'll see. &lt;br /&gt;&lt;br /&gt;Those Arts Council girls and guys, they put on catering! Lunch was far superior to the muesli bars and ginger tea I'd been planning on. (For I am a wealthy princess with such a hedonistic life.)&lt;br /&gt;&lt;br /&gt;This mornings class was cool - a lot of Logic and Protools groundwork in editing and mixing. We have a cool remix project coming up, where we are provided with the album session files from a name artist (this year it'll be a jazz combo) and get to run amok reinventing it. &lt;br /&gt;&lt;br /&gt;An example of the project from a few years is &lt;i&gt;Not Drowning, Waving - Maps For Sonic Adventures&lt;/i&gt;. Which featured a few student remixes along with remixes from luminaries - and it was nominated for an ARIA, which is not a bad thing.&lt;br /&gt;&lt;br /&gt;You can find info about it here: &lt;a href="http://www.followthegeography.com/ndw_lyrics_sonicmaps.html"&gt;http://www.followthegeography.com/ndw_lyrics_sonicmaps.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Which I suppose brings me to the very un-interestingly named subject CREATE A FINAL SOUND BALANCE 1, and another class called DEVELOP SOUND DESIGN. In these subjects I'm studying under the supervision of a teacher called John Phillips, who has a neat career as a film composer and sound designer in his own right, and also a co-creates scores with David Bridie. John also played guitar in a band with Bridie back in the day. The band is called Not Drowning, Waving. Perhaps you've heard of them?&lt;br /&gt;&lt;br /&gt;Heh - Evans just called to get a message to Scott. (Hi Mark, if you're reading this. *waves* Sorry I was soft-talking - but - Library.)&lt;br /&gt;&lt;br /&gt;Anyway, exciting projects and talented teachers - there are some on the go, and this is good.&lt;br /&gt;&lt;br /&gt;But today - even though it is a short week  - I am tired. I know I am tired, because I am cold. It may also be somewhat related to my headache, due to lack of coffee, due to lack of funds. Yay for study?&lt;br /&gt;&lt;br /&gt;I am taking tonight off, and cooking pasta with my.... &lt;i&gt;&lt;b&gt;taller&lt;/i&gt;&lt;/b&gt; half. Won't be in my office until tomorrow. And then I will be there. So don't try me now. Try me then. &lt;br /&gt;&lt;br /&gt;Can you tell I have a case of the coffee-deprived brain-cell die-off?</content>
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